after songs
seven nocturnes for solo clarinet
25’
commissioned by and dedicated to Michael Rowlett
surely
before the bulldozers
after song
second teenhood
bruises
appalachia
please
When Michael Rowlett and I started planning this work together, I knew it would be based in poetry. In addition to his incredible abilities as a performer, Michael is a wonderful reader of poetry, and I wanted to take advantage of his deep literary mind. In searching for the right poet, Michael sent me some of his friend, Michael McFee’s poetry, and mentioned he had a framed copy of his poem “Surely” on his studio wall. From there, the piece was born.
I was immediately captivated by the world of McFee’s poetry. His words root memory and love into the soil. I stitched together a loose arc, alternating longer poems with selections from the collection of one-line poems The Smallest Talk, each piece thinking about the after-s of life. After loss, after youth, after death itself. Throughout, the clarinet uses an array of techniques to respond to McFee’s words: timbral trills for a nocturnal migration, a multiphonic lament before the bulldozers, singing and playing the haze of appalachia. My hope is to have written a parallel work to a fellow artist, rooting a monologue of my own into the wood.
after songs was made possible by a grant from the Mississippi Arts Commission, and is dedicated with love and admiration to Michael Rowlett.
The full score of “after songs: seven nocturnes for clarinet” in downloadable PDF form.